Fonts, chosen once. Family, weight and style for the target language.
Pick the family the other language should be set in. It resolves the matching weight and style per layer instead of flattening everything to Regular.
A family, not a font
Your design uses Bold for the headline and Light for the caption. Pick the Arabic family once and each layer keeps the weight it had, if that family has it — and tells you when it does not, rather than silently dropping to Regular.
Your own folders
Point it at the folders your fonts actually live in — a client folder, a shared drive — and they appear in the picker beside the installed ones.
Favourites
The four families you use every week, at the top, starred.
In the panel
The rest of it
One pass. Paste the copy, press the button. Both directions. Arabic to English, or English to Arabic. Grow, shrink or keep. You decide what bends when the two languages disagree. Numbers stay readable. Latin digits in the English face, or left exactly as they are. Straight from Word or Excel. The file the client sent, not a re-typed copy of it.
Try it on the file you are stuck on.
Three days, everything unlocked, no card.
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